Second Shroud Discovered By Australian Scientist Veronica Veil St Peters

Second Shroud Discovered By Australian Scientist Veronica Veil St Peters

Article by Vincenzo Ruello

In April of 2011 an amateur film scientist from Australia discovered a hidden encoded negative image in the St Peters Veronica Veil held at the Basilica Church in Rome.

Vincent Ruello developed an angular film system by accident in early 2009 which was then used to research the Shroud of Turin. Many discoveries were made including carved stones on the eyes, previously thought to be Roman coins, the actual spear wound and visible skin on the face and body of the Shroud of Turin man.

The initial findings were published in an Australian newspaper half page article in March of 2011, the Inner West Courier. ” the angular film system is a simple process of tilting back the LCD screen and then photographing it or filming it. This commences to reveal hidden images unseen by the naked eye in the original film image. It is then combined after several angles of filming to create a 3d composite image which is then placed in another programme that reverses the polarity or inverts the colours to reveal the true positive image ” Vincent Ruello.

After the publication of the angular film system and Shroud discoveries, Ruello commenced to research the Veronica Veil. To his amazement there were several scattered around the world. ” I found 6 major Veronica Veils in Europe and really didn’t expect to have any luck in finding anything new as I thought they were all just paintings of the legend ” Ruello

He ran the images of each one through the angular filming process and all proved to be paintings with no hidden encoded images at all except for the St Peters Veronica Veil. On his first angular filming a strange faint image began to emerge.

” the feeling of total shock was palpable, I know the feeling now of the photographer Secondo Pia who first witnessed the negative images appear from the Shroud of Turin in 1898 ” Ruello

Unlike the Shroud of Turin which has remained almost perfect in nature the St Peters Veronica Veil over 2000 years has deteriorated greatly to become a yellow amber fossilized image showing no detail. In the early 20th century Catholic leaders upon seeing the St Peters Veronica Veil stated that only a dark stain appeared and thought not to examine it further.

3 more angular filmings were necessary to create a dark purple 3d composite before it was placed in the polarisation programme, (a programme that works like processing a photographic film )

” When the face appeared I was dumbstruck and in awe, the battered and tortured face of a man was now visible. The left eye as we view it was open staring to the left and the right eye was swollen and appeared to have been bashed shut. What looks like lead ball whip marks are seen to the right of the nose and face. A cross of blood also appears to have been carved into the forhead, the hair is black, the man has a wide forehead and large nose ” Ruello

Ruello was now able to study the face image and compare it to the Shroud of Turin face. What he found is remarkable to say the least. The St Peters Veronica Veil he processed remained a positive true image without reversal of left to right as happens when the Shroud is photographed with conventional methods. The right side of the Veronica Veil face has three injury markings triangular in shape which are identical in angle and positioning to the Shroud of Turin face. The nose and broad forehead are also identical to the Shroud face. The carved cross of blood matches perfectly to the large blood marking on the forehead of the Shroud of Turin face.

” It is the same man on both cloths ” Ruello

The Vatican was contacted in May of 2011 a Cardinal Angelo Comastri who is in charge of St Peters Basilica and the Veronica Veil. He wrote to Mr Ruello in shock and ironically disbelief at the discovery stating it cant be as the stain image is too small to be a head but his mistake is that the stain image is the face and the surrounding yellow area is in fact the hair and rest of the face. Angelo Comastri told Ruello that he would not allow anyone to come to the Vatican and examine in close up the Veronica Veil as it is too fragile and delicate.

In July 0f 2011 a scientist renouned in Australia with degrees in Chemistry and Mathematics named Bill Chalker who is also a leader in UFO research and documentation witnessed at first hand the face image and filming process.” Bill was impressed and shocked at my discovery and told me to record all the angles of filming and technique so other scientists can reproduce my results ” Ruello

Upon contacting the news media in Australia and world wide Ruello received a wake up call to the fact that they did not want to tell the world about this new second Shroud image which basically confirms the crucifiction and has now been linked to the Shroud of Turin.

The history of the St Peters Veronica Veil states it was passed onto Pope Clement in the 1st century AD after the death of Bernice her true name not Veronica which is a Latin term for (true image) Acts Of Pilate 2nd century commence to reveal the woman whose blood flow was stemmed by Jesus Christ. Finally in the 7th century Vatican archival documents called the Avenging of the Savior the name Bernice is linked to the St Peters Veronica Veil.

This is a new discovery and dramatic and shocking, most are in disbelief when they see the images by Ruello. Several websites have now been set up on the St Peters Veronica Veil discovery including the channel veronicaveil7 on youtube, the official Catholic site called Gloria Tv and Ruello’s own websitewww.veronica-veil.com(C) 2011 Vincenzo Ruello

About the Author

Vincenzo Ruello is an amateur film scientist and musician